Waiting Room: The Mural
Caballero soaked her hands and forearms in acrylic and chalk paint, seeking to generate different textures on the print with her movements. She then performed the choreographic score while standing in close proximity to the hung print, allowing motion to dictate her body’s interventions.
The prints wields topographical elements that bring the mapping of territories (meaning, the body, words) to bear.
Documentation of Caballero’s physical intervention of Waiting Room, representing an evolution in how body language can express the written word.
Photography by Luis Gaspar
